Showing posts with label digital advertisements. Show all posts
Showing posts with label digital advertisements. Show all posts

IN HIS OWN WRITE by John Lennon (1964)

Simon & Schuster; 79 pages; humor; ages 10 and up; ISBN: 0-684-86807-5.

The Beatles stormed America in 1964 after conquering their native UK, so it made sense that any of the band's side projects would generate at least some interest from fans and the general public. Hence In His Own Write, singer-guitarist John Lennon's debut collection of stories, poems, and drawings, some of which were generated during his school days in Liverpool, or "Liddypool," as he refers to his hometown in a short story of the same name. "The writing Beatle," as one particular version of the book's cover touts, enjoys playing around with pronunciations and spellings, as evidenced by titles like "The Fingletoad Resort of Teddiviscious" and "On Safairy With Whide Hunter" ("written in conjugal" with Paul McCartney). He also isn't afraid to explore dark territory, a la Roald Dahl: in "The Fat Growth of Eric Hearble," the title character loses his job "teaching spastics to dance" and is called a "cripple" because of the scabby growth on his head that has conversations with him, and in "Randolf's Party" the protagonist is killed by his friends at his own "Chrisbus" gathering.

I was somewhat surprised to find In His Own Write in the Young Adult section of the Oak Park Public Library, but because Lennon's stories and poems are almost exclusively short and nonsensical, I can see the appeal for younger readers. However, because of Lennon's inventive spellings and heavy use of English slang, some of which may have gone out of fashion about the same time the Beatles broke up 41 years ago, In His Own Write can be a frustrating read. Beatles fans of all ages are encouraged to give it a go all the same: famous Lennon song lyrics like "Yellow mother custard dripping from a dead dog's eye" aren't far removed from poem lyrics such as "I wandered hairy as a dog / To get a goobites sleep" ("I Wandered").

For further reading, check out Lennon's second collection of this and that, A Spaniard in the Works, published the following year. And to see a book trailer I created for In His Own Write, keep yer peepers trained on the YouTube embed below ...

TWELVE ROUNDS TO GLORY: THE STORY OF MUHAMMAD ALI by Charles R. Smith Jr. (2007)

Illustrated by Bryan Collier. Candlewick Press; 80 pages; biography; ages 9-14; ISBN: 978-0-7636-1692-2.

Charles R. Smith Jr.'s picture-book biography of the legendary boxer is written as a series of poems, simultaneously emulating and paying tribute to its subject, whose famous pre-fight poems—"Float like a butterfly, sting like a bee / His hands can't hit what his eyes can't see"—influenced the braggadocio of early rap music. Warmly illustrated by Bryan Collier, Twelve Rounds to Glory takes young readers through Ali's entire career, from his heavyweight-championship knockout of Sonny Liston in 1964 to his refusal to fight in the Vietnam War three years later, and continuing on to his popular and professional comeback in '74, when he beat his seven-years-younger opponent, George Foreman, to regain the heavyweight title. The book ends with a brief mention of Parkinson's disease, which Ali was diagnosed with in 1984.

Smith doesn't ignore the often ugly insults Ali slung at his opponents before fights, the worst of them reserved for Joe Frazier: "cutting even deeper / into his heart by dropping a bomb, / by insulting his blackness when you called him Uncle Tom." But for the most part this is a sunny-side-of-the-street biography, in which Ali's four marriages and eight children, two of which were born out of wedlock, are treated as a show of generosity on Ali's part, i.e., he had too much love for just one family! Smith's poetry shines brightest when he recounts Ali's various title bouts, including the 1974 "Rumble in the Jungle" versus Foreman in Zaire: "'IS THAT ALL YOU GOT? / IS THAT ALL YOU GOT?' / absorbing brick after brick, / taking shot after shot, / infuriating the Bull, / making his eyes see blood-red, / moving shots to the body / up top to the head."

Winner of Honor Book recognition from the Coretta Scott King Book Awards in 2008. For more of Smith's poetry, check out the basketball-themed Hoop Kings (2004). And to see a book trailer I created for Twelve Rounds to Glory, keep watching ...

IGGIE'S HOUSE by Judy Blume (1970)

Atheneum Books for Young Readers/Simon & Schuster; 117 pages; realistic fiction; ages 8 and up; ISBN: 978-0-689-84291-7.

Eleven-year-old Winnie's best friend from down the street, Iggie, has recently moved to Tokyo with her family. As Judy Blume's first novel begins, a new family is moving into Iggie's house—a black family, making them the first nonwhites in the neighborhood. Winnie's excited to make new friends with the Garber family's three children, Glenn, Herbie, and Tina, and show them she's not like other white kids, but her parents are less enthused, mainly because they can see the trouble around the bend that Winnie can't. And once neighborhood busybody Dorothy Landon starts up her own unwelcoming committee, tempers begin to flare on both sides of the issue.

Blume's YA debut shows her in full control of her talent, which blossomed even further as the '70s rolled on. She creates memorable characters like hotheaded Herbie, who confronts Winnie on her ill-advised "great white savior" role and in general speaks his mind like a grade-school prototype of TV's George Jefferson (who was still a few years away from seeing the televised light of day), and shows readers how Winnie's actions are similar to Mrs. Landon's. Iggie's House powerfully reflects the "white flight" racial tensions of its time but ends on a quiet note, gently reminding readers both young and old that modest victories are sometimes the only ones you get.

For further reading, check out everything Judy Blume has ever written. You'll be glad you did. And to see a Glogster-hosted advertising poster I created for Iggie's House, click here.

THE ABSOLUTELY TRUE DIARY OF A PART-TIME INDIAN by Sherman Alexie (2007)

Illustrated by Ellen Forney. Little, Brown and Company; 230 pages; realistic fiction; ages 12 and up; ISBN: 978-0-316-01369-7.

Arnold Spirit Jr. is an awkward but creative 14-year-old Spokane Indian who lives on a reservation with his parents and grandmother. On the first day of ninth grade at the "rez" school, he discovers his mother's maiden name in his "new" geometry textbook. Infuriated, he throws the book at his teacher, breaking the man's nose, but when the teacher comes to Arnold's house to talk to him about the incident, he encourages Arnold to do whatever he can to get off the reservation, before it kills his spirit. Arnold decides to enroll at the all-white high school in nearby Reardan, angering many Indians, especially his newly former best friend, Rowdy, who feels abandoned but can only express himself with his fists. But over the course of the school year, as he experiences one family tragedy after another amidst personal triumphs on the school's basketball court, Arnold comes to terms with his status as a part-time Indian.

Sherman Alexie's semiautobiographical novel is bursting with brash humor and unexpected tragedy (apparently seven of his relatives died in a single school year when he was around Arnold's age). It also doesn't pull any punches in discussing extreme poverty among Indians or the rampant alcoholism that's a direct cause—and effect—of that poverty. Ellen Forney's line drawings enhance Alexie's prose, so much so that it's hard to imagine the book without them. The Absolutely True Diary of a Part-Time Indian lives up to the critical hype.

Winner of the 2007 National Book Award for Young People's Literature. For further reading, check out The Skin I'm In by Sharon G. Flake or American Born Chinese by Gene Luen Yang. And to see a Glogster-hosted advertising poster I created for Part-Time Indian, click here.

T-MINUS: THE RACE TO THE MOON by Jim Ottaviani, Zander Cannon, and Kevin Cannon (2009)

Aladdin/Simon & Schuster; 124 pages; historical fiction; ages 9-13; ISBN: 978-1-4169-4960-2.

A graphic novel covering the historic race between the United States and Soviet Union to put a man on the moon, T-Minus gives equal coverage to both superpowers, culminating in the events of July 20, 1969.

Along the way readers are introduced to the men and women who made it happen, including lesser-known figures like German rocket scientist Wernher von Braun, who designed the Saturn V rocket that carried Neil Armstrong and company into outer space; Sergei Korolev, the "chief designer" of the Soviet space program; NASA engineers Caldwell "C.C." Johnson and Max Faget; and "computers," otherwise known in the USSR as Russian women who were hired for their mathematical expertise.

Jim Ottaviani, the writer of T-Minus, and Zander Cannon and Kevin Cannon, who illustrated it (and aren't related, it turns out), stuff a large amount of historical and technological information into T-Minus's 100-plus pages, so much so that at times the pace flagged because I got bogged down in explanations of acronyms such as TLI ("Trans-Lunar Injection") and GUIDO ("Guidance Officer"). If you've recently developed a casual interest in the history of space exploration, T-Minus probably isn't the place to start, but its authors show a deep respect for the attention spans of their intended tween audience, which is to be commended.

For further reading, check out Laika by Nick Abadzis (2007). And to see a Glogster-hosted advertising poster I created for T-Minus, click here.